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CapitalBop presents Tarbaby: Orrin Evans, Nasheet Waits & Eric Revis
with Kris Funn & Corner Store – live at the Fridge
For the second of its three shows in the D.C. Jazz Loft Series at the DC Jazz Festival, CapitalBop presents Tarbaby – a jazz supergroup on a mission. Featuring pianist Orrin Evans, bassist Eric Revis and drummer Nasheet Waits, this band is uncompromisingly experimental and valiantly outspoken. Tarbaby will perform at the Fridge, a back-alley art gallery on Capitol Hill. The trio is double-billing with one of D.C.'s greatest bassists, Kris Funn, a member of the famous Christian Scott Quintet. All ages are welcome. The series is sponsored by Hipnotic Records, and sponsored in part by GNT LLC.
Tickets
Full show: $10 in advance, $14 at the door
Midnight set: $6 in advance, $8 at the door
Schedule
8:30 Doors open
9:00 Kris Funn & Corner Store
10:30 Tarbaby – 1st set
Midnight Tarbaby – 2nd set (discount)
Photo of Marc Cary on flyer by Jati Lindsay.
When & Where
The Fridge
Rear Alley
516 8th St. SE Washington,
DC 20003
CapitalBop.com is a website dedicated to promoting Washington, D.C.’s vibrant, varied and surprisingly under-appreciated jazz scene. This site is designed to help everyone from novices to hardcore bopheads find live music that will fit their preferences on any given night. CapitalBop offers all of these features that you won’t find anywhere else:
a comprehensive, up-to-date calendar of all the jazz going on in Washington
a list of D.C. clubs complete with maps, profiles, contact information and essentials about pricing and food
a catalog of local jazz musicians, with their contact info
a steady stream of coverage — written articles and multimedia — on D.C. jazz music
In addition, CapitalBop produces live performances to showcase and stimulate the forward-focused creative thought that is occurring on the local jazz scene. At monthly D.C. Jazz Lofts, a variety of musicians present their music, which ranges across idioms — from acoustic to electric, bebop to free jazz. CapitalBop does not make any profit from these performances, and all proceeds go to the musicians.